Wednesday, November 14, 2018

It’s actually looking a lot like Christmas!

After years of designing an annual card, I decided I would take a break this year and just “promote”my past ones. I have quite a few. Isn’t that a smart business move? One look at my husband’s face and I knew that would not fly. “Oh” , he said, OK”....if you think anyone wants one of those”. So instead, I got busy and created 2 cards. Yes, I’m an over achiever. I like them both and they satisfy two of my Christmas requirements: must be fun and must be nostalgic! I love the scenes form the 50 ‘s or timeless scenes from a simpler time. Weren’t snow drifts taller? Santa’s more real? Sleds more common? Spirits brighter?

So here they are with my usual dedication to a strong name:

                                                      “Fixin’to Decorate”

 

 "Jingle Your Bells”



I so loved painting them! The farmhouse in snow may not look like Texas but we do get snow and I would love a white Christmas...had a few in McKinney! The Bells were real from a shopping trip to Fredericksburg. So I arranged and photographed them until I found this version appealing.

Then I totally made up the ribbon! Because this uses some tools such as salt to create the rustic Bells, I have asked my students to try them. In Marble Falls last week, I taught a one day work shop and had some lovely results.

Debbie , owner of the Gallery at Pecan Creek along with a true beginner , Tanya, who surprised even herself with this beautiful rendition.

           Valerie, a returnee to the art world after retirement, had no trouble getting into this scene
                                           ....        and Debbie is quite good herself

Be in touch if you are interested in my cards or , if you are in Marble Falls, stop by Galleries at Pecan Creek. Happy Thanksgiving on your way to a very Merry Christmas!

Wednesday, September 5, 2018

Let’s paint that Fall Garden on October 17 th !



Here is my finished Fall Garden...the harvest was abundant and colorful! And the joy of creating it was a lesson in design, value and transparent blending that I would like to share with you.. I like the surface texture opportunities in this scene with the wood, straw and various veggie skins.  I will be teaching this technique which includes an under painting at a one day workshop 9:30-3:30 at Galleries at Pecan Creek on Main Street in Marble Falls on Wednesday, October 17 th. Contact Deb Heatley at (830) 265-7725 to sign up and get a supply list. I will provide the pre-drawn, pre-masked
( to protect the white of the paper) sketch on 140 lb paper.



Meanwhile, a group of 8 Waterloo Watercolor Group artists have a beautiful watercolor Show and sale at the lovely Lost Pines Art Center in Bastrop through the end of September. If you have not yet visited , plan a trip soon. Here is a special invitation for our reception on September 12th where artists will be painting at easels from 4:00-6:00. Wine, music and a demo are in store for attendees.

If you have time on Sunday, September 30 th, you don’t want to miss a free demo by internationally known artist, instructor and juror, Alexis Lavine. It is being offered by Waterloo Watercolor Group at the Apache Shores Community Center 2:00-4:00.

Alexis is in town from her South Carolina Home to jury our Fall Show and to teach a work shop the following week. It is full (and , yes, I am signed up). Contact me or visit www.waterloowatercolor.org to be on a waiting list. Here is one of her well done luminous watercolor paintings :



And here are my two paintings that have been selected by Alexis for the WWG Fall Show which will be hung at North Hills Gallery during the month of October. Both are available in reprint if you just have to have a copy.
  

"Deep Roots"                                                                           "Texas Roadside Beauties"


       11" x 30"                                                                                          16" x 20"



                                  











One last exciting comment with more details to follow: "The Hive" ( yes, in Bee Cave) will open on October 19th in Hill Country Galleria. It will be an all Art venue (4500sf!) with classrooms, Gallery space and a gift shop. This is very needed for both the artists and the Art pursuers in the Austin area.I will be teaching classes there. Stay tuned for my schedule.

Sunday, July 22, 2018

Let's pour a Fall Garden!/ The start....

 I know, I know...it's still summer but if your garden is like ours, it has stopped producing due to the intense heat in central Texas. We are already dreaming of the second crop, the Fall garden.  I am inspired to paint the luscious tomatoes, carrots, cabbage and squash that will be harvested because their colors are richer and more Old World than the bright Spring and Summer garden colors. I selected these veggie images from a variety of sources including our garden, the grocery store and my daughter Leslie's bountiful tomato plants in California which are healthy specimens and delicious, too!

This Fall Garden will likely be my subject for a one day work shop October 17th in Marble Falls at Galleries at Pecan Creek. I will provide the pre-drawn sketch and this method is beginner friendly. Also good for adding some new methods for experienced painters. So let's work on the game plan for that and for those interested in my current favorite paint process that uses just 3 transparent watercolors to create a vibrant, glowing painting. You can and should experiment with any transparent  red, yellow or blue combination you like but I selected these great mixers. Not all brands carry this red but M Graham does; good paint if you haven't tried it :
                                                 M. Graham Watercolors

                                      Hansa Yellow / Naptha Red / Prussian Blue

Step 1: Design and sketch your image on 140 lb paper that has been taped to a board. I use clear package tape leaving a 1/4 " border on all edges. Varying shapes and leaving openings for the viewer to enter your scene, mask white or highlighted areas. I use Pebeo masking fluid ( blue lines) and apply it with the back of my brush handle for easy cleaning. It must be completely dry before adding any moisture to the paper. The same is true ( of your paper) when removing the mask: it must be completely dry or the paper can tear. I recommend 24 hours.
 Step 2: Using a spray bottle to wet sections of the paper and a straw to literally blow the paints around, drop combinations to obtain the local color of the objects. For example, I used yellow and red to make the orange color of both the basket handle and the carrots. In the bottom right, yellow and blue to make the green of the cabbage; red and blue for the purple eggplant.



 Step 3: Complete your sprayed and "pushed" under painting. Use your fingers and any tools you like but don't use a brush. Don't over plan this too much...the  less you control this stage, the better the results will be.

                                    More to follow on the process to complete this painting.

 I do want to share that I used this method to do a 1 1/2 hour demo for the Center Art Club in Round Rock last week. Thank you to Janet Fulks and Tracie Storie who invited me after seeing my demo at Georgetown Library on July 9th. I was delighted with the attendance and the interest since these artists come from a variety of mediums including sculpture. And what a state of the Art facility they have to use! Round Rock has cretaed a beautiful environment for seniors ( over 50) to take classes, dance, create and even have lunch. Underground parking is also available at the BACA Center.

"Bath Time at the Oasis" is the completed demo painting done for Center Art Club:

 "Kauai Koi" is the completed demo painting at Georgetown Library started during a Waterloo Watercolor reception there:
Thank you to both of them for inviting me to share my ideas. Contact me if you have any questions about your painting or are interested in my one day work shops!

Sunday, May 20, 2018

Jump in...the water is fine!

Never tried watercolor before? Or maybe you are an artist would like to explore a new technique? I think "splashing" ( a pouring method) is the perfect way to start a new adventure in watercolor. Thanks to a lovely group of artists from the Highland Arts Guild in Marble Falls, Texas, I was able to test my theory. I used two of my favorite paint subjects, water and rocks, to do a one day work shop. This is my painting of the image we all used to create 1) an under painting of local colors using only 3 paints, a red, a yellow and a blue 2) a rhythmic value study of light, medium and dark tones and with 3) varied splatters, brush strokes and shapes ...a fun , glowing painting.
Here were the supplies we used:


I supplied a masked sketch on 140# paper for everyone and will also included tape, straws and pipettes, stirrers and some plastic cups for mixing paints.
Each participant brought:
Any 3 transparent red, yellow and blue Watercolors. I use naphthol red, hansa yellow and Antwerp blue). All quinacridone colors work. The key is that they are transparent for mixing.

3 brushes for splattering

3 brushes to paint with ( I use a #6 pointed round, a filbert for blending and a liner or rigger)

Small pieces of watercolor paper to use for practice ( 4x6 or larger)

Masking fluid ( may want to add more than I have)/ and a mask remover if you have one
 

Gator board or painting surface to tape your painting

Spray bottle for water. You want a fine spray, nothing that is too wimpy or too strong

  Their imagination! 

With just simple instructions along the way this group of 6 risk takers ( Betty, Brenda, Evelyn, Gail, Marti and Sharin) , using their own 3 transparent colors ....jumped in! We knew from the start that all would look different as we completed them, it was amazing to also see their personalities show up on paper. Here are some of their results:






I hope they were as pleased as I was with the results. I look forward to teaching these ladies again in late summer when we approach a floral with this technique and an emphasis on negative painting. Contact me at carolsuewitt@gmail.com of you would like to be added to our class list.

Wednesday, March 7, 2018

"Paint what you want to see!" Lian Quan Zhen's advice is simple but rewarding

That's the message from internationally known artist, author and instructor, Lian Quan Zhen. I had the pleasure of attending his 4 day work shop this past week and my Art will be changed for the better. We traced two images provided by him ( 26 attended), one a floral and one a group of elephants. These two scenes allowed him to demonstrate his ability to use only 3 colors , red ( Naptha), yellow (Hansa) and blue (Antwerp) to create a multitude of colors and hues. He also wated to emphasize the immense changes in value that can occur with only 3 colors.  Using a TV screen that allowed him to zoom in on small details, we watched 4 or more demos daily as he taught his valuable techniques. He considers imperfect to be perfect and makes excellent choices to change shapes and values in his work. His use of negative painting may be the most imaginative tip I picked up...and there were many!
Lian Zhen Work Shop Feb 26-March 1, 2018


             Artists came from Georgetown, Fredericksburg, Dallas, Ft Worth, Colorado and even Panama to learn from Lian. It was a very fun, talented group.
Lian talking while he paints his lily pong complete with fish


                      
             The photo is for reference only as he encourages all to paint what they want to see, not what they see
The elephant family at sunset lives in a lovely setting, warm at the top, cool at the bottom
Elephant eyes have a glint and lashes, skin is wrinkly and mud caked


Here is my version....all 26 students had a different one. Lian made suggestions to each of us for completing our paintings.

Can you believe all of these were done with only 3 colors??

As most artists do, he had originals and prints, CDs and books to sell. I purchased "Chinese Painting" and encourage you to do that as he demos several paintings start to finish. It may change your painting for the better!

It’s all about dogs...and some other animals, too

I have a connection to dogs...no doubt about it. We are usually instant friends when we meet. I see the beauty of their shape and color, their full body personalities and the love and devotion in their eyes. I’m not opposed to getting a big juicy kiss, either. So I guess it’s only natural that I enjoy capturing them in a painting. 
Among my collection of painted dogs are those precious animals we have had the joy of owning and also some of yours. Here are a few.

My first dog of 2018 is Quinn:







Zoom 2020

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